Editions Explained
Each of my photographic works is limited to a total of 50 prints, regardless of size, paper type, or presentation. Once these 50 are reached, the work is never printed again.
Within this edition of 50, variations may occur. A black-and-white portrait, for instance, might appear as a small series of 5 prints on handmade paper, each uniquely treated—perhaps with a different Japanese paper layer, or printed using distinct techniques. The same image might also emerge as a single large print, cut apart and sewn back together, or as 100 tiny prints brought together into 1 collective piece.
Some versions exist only in a handful of prints—others as unique, one-off works. But they all stem from the same original image and together form its complete edition.
This approach reflects the themes that run through my work: memory, the passage of time, transformation, and healing. Just as memory shifts and reshapes itself, my photographs also evolve—through material, through scale, through touch.
“Like time, once a moment has passed, it won’t return.
Nor will the 51st print.”
Sample Stamp
The first four digits at No. refer to the specific artwork, followed by its edition number, which is limited to a maximum of 50. In this example, you see No. 10 and 11 of the edition of 50.
The information 1/5 you see at ‘edition’ explaines that the work is part of a small series of 5 within the edition of 50.